A sneak preview of our upcoming portfolio: Ila Kellermann & the Bareneed Studios

March 2025

“I have always held an affirmation and interest in the tangible visual footprints of rocks, bone, and sediment. Newfoundland affords my art a front row seat to its natural raw elements and terrain.”

“My August 2024 residency gifted me two-fold – visually as an artist I was engaged in a venue that offered multiple aesthetic opportunities and socially/culturally I was afforded a local community whose kindness and inclusivity was a masterpiece of hospitality. Eating Pearl’s rhubarb crisp at Canon Richard’s Tea Room, cod fishing with Joy and Don, and talking with Bonnie at the local post office was effortless and became the comfortable tapestry of my days.”

For more information about the Bareneed Studios click here. NQ Spring 2025 publishes April 1; you can subscribe here.

Images: by Kellermann: Caribou, Blue Bear and a White Bird; Vessela and Best Friends; Bareneed Bear and Ice.

Q&A with Rhonda Pelley

BY NQ

Could you tell us a little bit about yourself? I’m a second-generation visual artist living in St John’s with my partner, theatre artist Frank Barry, and our two cats, Piper…

Teresa Connors’ Immersive Audio-Visual Installation Currents at Sound Symposium XIX

BY Eva Crocker

Suddenly ripples started appearing on the large screen, like you see on the surface on of a pond at the beginning of a downpour. On two of the smaller screens the tide tugged unfurled waves back out into the bay; another showed mint-coloured lichen on a grey rock; a third played water gurgling in and out of a tide pool. I could feel the bunny-rabbit thump of blood coursing through my heart and it was correlating with the steady tick in the soundscape.