Katherine Harvey casts a Green Blue Eye: “I’ve always been drawn to tragedy and am most compelled by complicated female characters.”
Your heroines – Iris Woodsen here, Grace in Quiet Time – are complicated, conflicted figures – not Gothic, exactly, but perhaps akin to that – do you see them taking…
Make No Wake – Sue Miller’s Artist’s Talk June 18
“My free-range childhood was spent living and exploring in a rural Ontario community that was close to a small lake. My home backed onto a canal that looped around to…
“The arts, storytelling, it’s a confrontation with the wrongs of the world.”: Richard Greene releases Cannibal Rats
Congratulations on your new poetry collection – I found it an intimate and rich read. And the arrangement of poems feels very elegant. I had a good editor, Michael Prior,…
Helen McNicholl’s Impressionist journey: “How she accomplishes that, it’s pure mystery”
“Helen McNicoll: An Impressionist Journey invites audiences to rediscover the career of a pioneering Canadian artist, whose luminous paintings captured everyday life, nature, and modern womanhood. Celebrated by critics for…
New solo show from Iakov Afanassiev
Opening May 22 at The Leyton Gallery of Fine Art: Where the Light Settles, an exhibition of Afanassiev’s luminous realism in portraiture, florals, and landscapes. Stop by and take in…
NQ 100 years ago – vol 26 no 1
1914 Commemoration Day 1926 The commemoration ceremonies of July 4th, were participated in by large gatherings, both at the Sergeants’ Monument and the National Memorial. The precision with which the…