Their summer 2025 season runs through the end of August, with productions of Goodnight Desdemona (Good Morning Juliet), by Ann-Marie MacDonald; Tempting Providence, by Robert Chafe; and The Flying Doctor (adapted by Evan Mercer from the Molière original) scheduled for matinee and 6pm stagings – plus presentations of Every Brilliant Thing and The Open Sky Series.
Perchance consistently hits theatrical high notes, even as it weathers site changes, the COVID-19 pandemic, and the odd reluctance of banks to lend mortgages to theatre companies. Here’s an interview with Irvine, and you can get your Perchance tickets here.

Images from Goodnight Desdemona: Una Hill-McMullin and Aiden Flynn sword fighting while Diane Flacks (Constance) works on her thesis; Diane Flacks (Constance) and Zoe Cleland (Juliet); Una Hill-McMullin (Desdemona) smothers Diane Flacks (Constance); courtesy Perchance Theatre.