Take Shakespeare, add toutons: NQ talks to Paul Rowe, director of a new production of Merry Wives of Windsor
Congratulations on the new play! Can you talk about how you adapted the script to a 100-minute running time? It took it was an elaborate cut. And it was an…
Boundaries blur in Raianny Queiroz’s imaginative landscapes
“In a world dominated by virtual interactions and fast consumption of images, this exhibition seeks to slow down the spectator and reconnect them with the physical and sensory world,” the…
Daniel Rumbolt – Forever There
“A reimagining of queer rural identity through traditional techniques and unconventional material exploration, an opulent intervention, a love letter, a reckoning, and a reminder – to be grateful, critical, and…
Like an open book: Karl Wells releases his memoir
Congratulations on your new memoir! I knew Openly Karl was going to be interesting – but it was a page turner. I could not stop reading it – and I…
“Collaging the past and the present together is an endlessly fascinating process for me”: Rhonda Pelley’s Certain Strange Visions
“Most of my work is in photography and photo-compositing,” visual artist Rhonda Pelley told NQ in an earlier interview. “Recently I’ve been experimenting with collage. I saw an ad…
The Human Story Behind Cabox Geopark’s UNESCO Dream
By Blessing Adedokun-Awojodu “This is not a one-off project but something sustainable that will keep evolving and needing people’s input.” — Dr Rainer Baehre Perched high above the Bay of…